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Extra pages from [[Volume 2 (Illegals)]] |
Extra pages from [[Volume 2 (Illegals)]] |
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− | |||
==Junkie Villain== |
==Junkie Villain== |
||
+ | [[File:Vigilante_Volume_2_-_Junkie_Villain's_Profile.png|thumb]] |
||
The Rough Design |
The Rough Design |
||
Line 10: | Line 10: | ||
''max power'' |
''max power'' |
||
− | ''under influence |
+ | ''under influence '' |
− | of Trigger |
+ | of Trigger |
− | ''Maybe he |
+ | ''Maybe he '' |
used to be a |
used to be a |
||
− | musician…? |
+ | musician…? |
Behind the Scenes |
Behind the Scenes |
||
Line 25: | Line 25: | ||
When he loses his senses and turns into a |
When he loses his senses and turns into a |
||
monster, he's basically just a wrecking ball who |
monster, he's basically just a wrecking ball who |
||
− | can't be reasoned with... |
+ | can't be reasoned with... |
− | -Furuhashi |
+ | -Furuhashi |
I'm relatively pleased with the design for this |
I'm relatively pleased with the design for this |
||
guy, but I regret that the gimmick Furuhashi |
guy, but I regret that the gimmick Furuhashi |
||
− | came up with didn't come across in the story |
+ | came up with didn't come across in the story |
that well... Drawing him was tough, in a |
that well... Drawing him was tough, in a |
||
− | mundane way |
+ | mundane way |
− | -Betten |
+ | -Betten |
See page 205 for more on the Three Pervy Brothers |
See page 205 for more on the Three Pervy Brothers |
||
− | |||
− | |||
==Bat Villain== |
==Bat Villain== |
||
+ | [[File:Vigilante_Volume_2_-_Bat_Villain.png|thumb]] |
||
The Rough Design |
The Rough Design |
||
Line 51: | Line 50: | ||
''40%'' |
''40%'' |
||
− | ''Side |
+ | ''Side '' |
− | 30% |
+ | 30% |
− | ''Black |
+ | ''Black'' |
− | 40% |
+ | 40% |
− | ''Shading on |
+ | ''Shading on'' |
− | arm |
+ | arm |
''40%'' |
''40%'' |
||
Line 73: | Line 72: | ||
who's running away..." "Oh, so it's like |
who's running away..." "Oh, so it's like |
||
Eye shield 21!" That's the train of thought that |
Eye shield 21!" That's the train of thought that |
||
− | led to this man-bat. Devil Bats! |
+ | led to this man-bat. Devil Bats! |
− | -Furuhashi |
+ | -Furuhashi |
Line 83: | Line 82: | ||
from it in the end (LOL). In hindsight, I |
from it in the end (LOL). In hindsight, I |
||
subconsciously took inspiration from [ |
subconsciously took inspiration from [ |
||
− | redacted] with the whole bat design...! |
+ | redacted] with the whole bat design...! |
− | -Betten |
+ | -Betten |
See page 202 for more on Ingenium |
See page 202 for more on Ingenium |
||
== Bigshot/Enigma/Onemu Shinya == |
== Bigshot/Enigma/Onemu Shinya == |
||
+ | |||
⚫ | |||
+ | [[File:Volume_2_(Illegals)_Team_Idaten_Profile.png|thumb]] |
||
⚫ | |||
⚫ | |||
⚫ | |||
''Onemu Shinya'' |
''Onemu Shinya'' |
||
Line 97: | Line 98: | ||
''Bigshot'' |
''Bigshot'' |
||
− | ''Costume modified |
+ | ''Costume modified'' |
− | to Team Idaten style |
+ | to Team Idaten style |
− | ''Cape |
+ | ''Cape'' |
Gloves |
Gloves |
||
Mark on chest |
Mark on chest |
||
− | Boots |
+ | Boots |
''40%'' |
''40%'' |
||
Line 115: | Line 116: | ||
suggestion was to make them members of Ingenium's agency (in chapter |
suggestion was to make them members of Ingenium's agency (in chapter |
||
7), but Enigma's gimmick was good enough to warrant a chapter of her |
7), but Enigma's gimmick was good enough to warrant a chapter of her |
||
− | own, so her debut was delayed a bit. |
+ | own, so her debut was delayed a bit. |
In the original submission, Enigma's real face was charmingly different, so |
In the original submission, Enigma's real face was charmingly different, so |
||
Line 123: | Line 124: | ||
to make her easier to utilize in the story, so please forgive me… |
to make her easier to utilize in the story, so please forgive me… |
||
− | -Furuhashi |
+ | -Furuhashi |
The one I chose was Onemu Shinya. I think what drew me to her was that |
The one I chose was Onemu Shinya. I think what drew me to her was that |
||
Line 132: | Line 133: | ||
== Middle Schooler Koichi & School Uniform Pop == |
== Middle Schooler Koichi & School Uniform Pop == |
||
+ | |||
+ | |||
The Rough Design |
The Rough Design |
||
− | ''Koichi in |
+ | ''Koichi in'' |
middle |
middle |
||
− | school |
+ | school |
− | ''Pop in |
+ | ''Pop in'' |
− | uniform |
+ | uniform |
− | ''Black sweater, |
+ | ''Black sweater,'' |
− | collar is white |
+ | collar is white |
− | ''Skirt on the |
+ | ''Skirt on the'' |
− | long side |
+ | long side |
''white socks'' |
''white socks'' |
||
− | Behind the Scenes |
+ | Behind the Scenes |
We apparently didn't have a design for young Pop, so instead this is a two-for-one with current Pop in uniform. |
We apparently didn't have a design for young Pop, so instead this is a two-for-one with current Pop in uniform. |
||
− | She and Koichi are depicted here at about the same age. |
+ | She and Koichi are depicted here at about the same age. |
The tale of Pop and Koichi's first encounter was decided on a bit after serialization began, so if you go back |
The tale of Pop and Koichi's first encounter was decided on a bit after serialization began, so if you go back |
||
and read chapters 1 and 2, you'll see that she's already head over heels for him. In this chapter, we learn that |
and read chapters 1 and 2, you'll see that she's already head over heels for him. In this chapter, we learn that |
||
− | she wants to say "Thank you" someday, so that's basically her long-standing desire, going forward. Good luck! |
+ | she wants to say "Thank you" someday, so that's basically her long-standing desire, going forward. Good luck! |
− | -Furuhashi |
+ | -Furuhashi |
I love Koichi's lame haircut, which looks like it was done by the neighborhood barber or even his mom. I |
I love Koichi's lame haircut, which looks like it was done by the neighborhood barber or even his mom. I |
||
remember dwelling on Pop's dialogue near the end of chapter 2 so seeing how it comes full circle in chapter 8 |
remember dwelling on Pop's dialogue near the end of chapter 2 so seeing how it comes full circle in chapter 8 |
||
− | makes me say "Well done, Furuhashi... Well done..." |
+ | makes me say "Well done, Furuhashi... Well done..." |
-Betten |
-Betten |
||
Line 170: | Line 173: | ||
==Rock Villian/Akira Iwako== |
==Rock Villian/Akira Iwako== |
||
+ | [[File:Vigilante_Volume_2_-_Akira_Iwako's_Profile.png|thumb]] |
||
The Rough Design |
The Rough Design |
||
Line 178: | Line 182: | ||
This cookie-cutter villain first appeared in chapter 3 of |
This cookie-cutter villain first appeared in chapter 3 of |
||
− | the last volume. |
+ | the last volume. |
He follows the pattern of being used as a guinea pig by |
He follows the pattern of being used as a guinea pig by |
||
− | the "organization" before getting taken down. |
+ | the "organization" before getting taken down. |
That data gathered from the junkie villain in chapter 6 |
That data gathered from the junkie villain in chapter 6 |
||
Line 187: | Line 191: | ||
appearance... The components of Trigger that affect |
appearance... The components of Trigger that affect |
||
− | the brain have been strengthened, leading to more |
+ | the brain have been strengthened, leading to more |
− | violent mental transformations and boosted abilities. |
+ | violent mental transformations and boosted abilities. |
− | -Furuhashi |
+ | -Furuhashi |
He was already enough of a pain to draw in chapter 3, |
He was already enough of a pain to draw in chapter 3, |
||
and it only got worse this time around, given his |
and it only got worse this time around, given his |
||
− | power-up and the standoff with Stendhal. A pitiable |
+ | power-up and the standoff with Stendhal. A pitiable |
− | character, really. |
+ | character, really. |
-Betten |
-Betten |
||
Line 221: | Line 225: | ||
''pin designs'' |
''pin designs'' |
||
− | Behind the Scenes |
+ | Behind the Scenes |
Basically, the villain lieutenant |
Basically, the villain lieutenant |
||
Line 230: | Line 234: | ||
told Betten, "Make her a modern-day |
told Betten, "Make her a modern-day |
||
girl!" (I've got no sense for that myself |
girl!" (I've got no sense for that myself |
||
− | so I just lobbed that one at him. |
+ | so I just lobbed that one at him. |
As a result, we've got a troublemaker |
As a result, we've got a troublemaker |
||
− | who's cute and competent, but also |
+ | who's cute and competent, but also |
sort of apathetic. Still, she's handy for |
sort of apathetic. Still, she's handy for |
||
advancing the villainous plot little by |
advancing the villainous plot little by |
||
− | little. You can count on her for that. |
+ | little. You can count on her for that. |
− | -Furuhashi |
+ | -Furuhashi |
She was wearing something like a |
She was wearing something like a |
||
Line 251: | Line 255: | ||
it, I'd started drawing Hachisuka in |
it, I'd started drawing Hachisuka in |
||
Yokosuka jackets... I scare myself |
Yokosuka jackets... I scare myself |
||
− | sometimes! |
+ | sometimes! |
-Betten |
-Betten |
||
Line 257: | Line 261: | ||
==Spike Villian== |
==Spike Villian== |
||
+ | [[File:Vigilante_Volume_2_-_Soga_Kugizaki_Impromptu_Villain's_Villain.png|thumb]] |
||
The Rough Design |
The Rough Design |
||
Line 263: | Line 268: | ||
beast-like…''<nowiki/>'' |
beast-like…''<nowiki/>'' |
||
− | Behind the Scenes |
+ | Behind the Scenes |
This guy's spikes give him the hedgehog's |
This guy's spikes give him the hedgehog's |
||
− | dilemma. |
+ | dilemma. |
Out of the three friends, he's actually the most |
Out of the three friends, he's actually the most |
||
serious, the most complicated, the most prone |
serious, the most complicated, the most prone |
||
to snap... That was the personality I came up |
to snap... That was the personality I came up |
||
− | with. |
+ | with. |
− | -Furuhashi |
+ | -Furuhashi |
Very different design than what we wound up |
Very different design than what we wound up |
||
− | with (LOL). I must've gone through some trial |
+ | with (LOL). I must've gone through some trial |
and error, trying to make him look more like an |
and error, trying to make him look more like an |
||
Line 283: | Line 288: | ||
draw him in a convincing way |
draw him in a convincing way |
||
− | -Betten |
+ | -Betten |
See page 204 for more on the three delinquents |
See page 204 for more on the three delinquents |
||
Line 291: | Line 296: | ||
==Stendhal== |
==Stendhal== |
||
+ | [[File:Vigilante_Volume_2_-_Stendhal's_Profile.png|thumb]] |
||
The Rough Design |
The Rough Design |
||
''Long japanese katana'' |
''Long japanese katana'' |
||
− | ''The image was less “hair tied up” |
+ | ''The image was less “hair tied up”'' |
− | and more “samurai-style topknot.” |
+ | and more “samurai-style topknot.” |
− | ''His hair comes undone when he gets his |
+ | ''His hair comes undone when he gets his'' |
mask broken by master, which helps |
mask broken by master, which helps |
||
− | support the idea that whatever was containing him has come loose. |
+ | support the idea that whatever was containing him has come loose. |
''sword guard'' |
''sword guard'' |
||
Line 319: | Line 325: | ||
Behind the Scenes |
Behind the Scenes |
||
− | Here we go. This is Stai-I mean, Stendhal. |
+ | Here we go. This is Stai-I mean, Stendhal. |
Like our trio of protagonists, he walks the fine l |
Like our trio of protagonists, he walks the fine l |
||
ine between hero and vigilante, which made |
ine between hero and vigilante, which made |
||
him a must-have representative in a story |
him a must-have representative in a story |
||
− | about vigilantism. |
+ | about vigilantism. |
Master and Stendhal show us the difference |
Master and Stendhal show us the difference |
||
Line 331: | Line 337: | ||
manages not to cross that line, barely… |
manages not to cross that line, barely… |
||
− | -Furuhashi |
+ | -Furuhashi |
Still haven't thrown out a lot of ideas-I'm |
Still haven't thrown out a lot of ideas-I'm |
||
Line 339: | Line 345: | ||
and error so much as turning him into a |
and error so much as turning him into a |
||
pragmatic warrior. Lots of lines involved-a |
pragmatic warrior. Lots of lines involved-a |
||
− | pain to draw (LOL). |
+ | pain to draw (LOL). |
-Betten |
-Betten |
||
Line 345: | Line 351: | ||
==Ingenium== |
==Ingenium== |
||
+ | [[File:Vigilante_Volume_2_-_Tensei_Iida's_Profile.png|thumb]] |
||
''When jogging'' |
''When jogging'' |
||
− | ''Shirt is |
+ | ''Shirt is '' |
− | white |
+ | white |
''Line 20%'' |
''Line 20%'' |
||
Line 356: | Line 363: | ||
''40%'' |
''40%'' |
||
− | ''Same brand of |
+ | ''Same brand of '' |
clothing that |
clothing that |
||
Tenya wore to |
Tenya wore to |
||
− | entrance exam |
+ | entrance exam |
− | ''Ingenium |
+ | ''Ingenium'' |
equipped for |
equipped for |
||
high-speed |
high-speed |
||
− | battle |
+ | battle |
− | ''Airbags |
+ | ''Airbags'' |
installed |
installed |
||
− | here |
+ | here |
− | ''Ingenium’s |
+ | ''Ingenium’s'' |
normal |
normal |
||
− | costume |
+ | costume |
− | ''Armor around legs |
+ | ''Armor around legs'' |
is simpler than |
is simpler than |
||
− | Tenya’s |
+ | Tenya’s |
− | ''Basic |
+ | ''Basic '' |
− | gear |
+ | gear |
''40%'' |
''40%'' |
||
− | ''Quirk is |
+ | ''Quirk is'' |
Engine, same |
Engine, same |
||
− | as Tenya |
+ | as Tenya |
− | ''(Fundamentally |
+ | ''(Fundamentally '' |
works the same |
works the same |
||
− | way) |
+ | way) |
− | ''okay to |
+ | ''okay to '' |
think of it |
think of it |
||
− | that way? |
+ | that way? |
''Exhaust ports on arms'' |
''Exhaust ports on arms'' |
||
Line 410: | Line 417: | ||
The Rough Design |
The Rough Design |
||
− | Behind the Scenes |
+ | Behind the Scenes |
Everyone's beloved Big Bro Inge. |
Everyone's beloved Big Bro Inge. |
||
Ingenium. Tensei Ida. He makes an |
Ingenium. Tensei Ida. He makes an |
||
appearance in this series as the ideal |
appearance in this series as the ideal |
||
− | pro hero. |
+ | pro hero. |
Because of the whole "distinction |
Because of the whole "distinction |
||
Line 422: | Line 429: | ||
runaway villain down the back alleys |
runaway villain down the back alleys |
||
− | but if we ever get the chance, l'd love |
+ | but if we ever get the chance, l'd love |
to portray him and his team in a full-on |
to portray him and his team in a full-on |
||
− | battle. |
+ | battle. |
− | <nowiki> </nowiki>-Furuhashi |
+ | <nowiki> </nowiki>-Furuhashi |
When doing the rough designs, I |
When doing the rough designs, I |
||
Line 438: | Line 445: | ||
to imagine his sportswear as being |
to imagine his sportswear as being |
||
part of a line of clothing put out by the |
part of a line of clothing put out by the |
||
− | Ida family itself. |
+ | Ida family itself. |
-Betten |
-Betten |
||
Line 444: | Line 451: | ||
− | ==Soga Kugizaki/Moyuru Tochi/ |
+ | ==Soga Kugizaki/Moyuru Tochi/Raputo Tokage== |
+ | [[File:Vigilante_Volume_2_-_Soga_Kugizaki,_Moyuru_Tochi_and_Raputo_Tokage's_Profile.png|thumb]] |
||
The Rough Design |
The Rough Design |
||
− | ''hoodlums |
+ | ''hoodlums'' |
− | A |
+ | A |
− | ''thinking of |
+ | ''thinking of '' |
something like |
something like |
||
this for now |
this for now |
||
− | -Betten |
+ | -Betten |
− | ''B |
+ | ''B'' |
the down vest |
the down vest |
||
and knit cap |
and knit cap |
||
Line 463: | Line 471: | ||
temperature |
temperature |
||
doesn’t fall |
doesn’t fall |
||
− | too much'' |
+ | too much'' '' |
− | ''Winter |
+ | ''Winter'' |
clothes…for |
clothes…for |
||
− | example |
+ | example |
− | ''3 |
+ | ''3'' |
Fire here is |
Fire here is |
||
− | always burning'' |
+ | always burning'' '' |
− | ''skin is |
+ | ''skin is'' |
− | dark |
+ | dark |
− | Behind the Scenes |
+ | Behind the Scenes |
In keeping with the trope of "the punks who serve as the first opponents in a battle manga |
In keeping with the trope of "the punks who serve as the first opponents in a battle manga |
||
and become allies," there was internal talk of having these three show up again, but their |
and become allies," there was internal talk of having these three show up again, but their |
||
− | reappearance was delayed when Samazu and Namimaru became series regulars. |
+ | reappearance was delayed when Samazu and Namimaru became series regulars. |
It doesn't look like they'll ever be allies at this point but rather those guys who came this c |
It doesn't look like they'll ever be allies at this point but rather those guys who came this c |
||
lose to being villains, which fits the theme of Vigilantes. In that sense, they serve an |
lose to being villains, which fits the theme of Vigilantes. In that sense, they serve an |
||
important role. |
important role. |
||
− | - Furuhashi |
+ | - Furuhashi |
I fell in love with them during their second appearance. I need to practice drawing them |
I fell in love with them during their second appearance. I need to practice drawing them |
||
− | better! |
+ | better! |
-Betten |
-Betten |
||
Line 498: | Line 506: | ||
==The Three Pervy Brothers== |
==The Three Pervy Brothers== |
||
+ | [[File:Vigilante_Volume_2_-_Three_Sturm_und_Drang_Brothers_Profile.png|thumb]] |
||
The Rough Design |
The Rough Design |
||
Line 511: | Line 520: | ||
can't help but ask, make their scenes important to the themes of Vigilantes |
can't help but ask, make their scenes important to the themes of Vigilantes |
||
so we might bring them back someday. They don't seem like the types to |
so we might bring them back someday. They don't seem like the types to |
||
− | reflect on their actions much. |
+ | reflect on their actions much. |
− | -Furuhashi |
+ | -Furuhashi |
All three had the same body type in Furuhashi-san's rough storyboard, but I |
All three had the same body type in Furuhashi-san's rough storyboard, but I |
||
Line 519: | Line 528: | ||
panties ( LOL ) . Incidentally , # 2 must have some serious skills to pull off what |
panties ( LOL ) . Incidentally , # 2 must have some serious skills to pull off what |
||
he does! So I see them as representing mind, technique and body |
he does! So I see them as representing mind, technique and body |
||
− | respectively (that's just my personal interpretation). |
+ | respectively (that's just my personal interpretation). |
-Betten |
-Betten |
||
Line 527: | Line 536: | ||
==Afterword== |
==Afterword== |
||
− | Hi there. I'm the story writer, Furuhashi. |
+ | Hi there. I'm the story writer, Furuhashi. |
Vigilantes is a series that's riding on the coattails of |
Vigilantes is a series that's riding on the coattails of |
||
the original My Hero Academia, so a constant part |
the original My Hero Academia, so a constant part |
||
of planning it out is wondering how to make it align |
of planning it out is wondering how to make it align |
||
− | with MHA and how to have it diverge. |
+ | with MHA and how to have it diverge. |
Before starting, some of the broad directives were to |
Before starting, some of the broad directives were to |
||
Line 540: | Line 549: | ||
myself being allowed to incorporate most of the |
myself being allowed to incorporate most of the |
||
ideas I came up with, as long as they weren't out- |
ideas I came up with, as long as they weren't out- |
||
− | and-out violations (it's been really fun). |
+ | and-out violations (it's been really fun). |
...So, I plan to continue using threads from the main |
...So, I plan to continue using threads from the main |
||
Line 546: | Line 555: | ||
"Eh? Can they really do that?" Basically, I'll keep |
"Eh? Can they really do that?" Basically, I'll keep |
||
exercising the freedom I've been given. Thanks to |
exercising the freedom I've been given. Thanks to |
||
− | everyone for your continued support. |
+ | everyone for your continued support. |
August 2017 |
August 2017 |
||
Line 552: | Line 561: | ||
== Message from Horikoshi == |
== Message from Horikoshi == |
||
''Congratulations '' |
''Congratulations '' |
||
− | ''on the release |
+ | ''on the release '' |
− | of volume 2!!<nowiki/> |
+ | of volume 2!!<nowiki/> |
Kohei Horikoshi |
Kohei Horikoshi |
||
− | |||
− | |||
− | |||
[[Category:Volume Extras]] |
[[Category:Volume Extras]] |
Revision as of 10:06, 18 February 2019
Extra pages from Volume 2 (Illegals)
Junkie Villain
The Rough Design
normally
max power
under influence of Trigger
Maybe he used to be a musician…?
Behind the Scenes
Unlike the pervy trio and their endless sophistry, this guy can't hold much of a conversation. My request to Betten was “A real bad dude!”
When he loses his senses and turns into a monster, he's basically just a wrecking ball who can't be reasoned with...
-Furuhashi
I'm relatively pleased with the design for this guy, but I regret that the gimmick Furuhashi
came up with didn't come across in the story
that well... Drawing him was tough, in a mundane way
-Betten
See page 205 for more on the Three Pervy Brothers
Bat Villain
The Rough Design
40%
40%
Side 30%
Black 40%
Shading on arm
40%
40%
Graded
Behind the Scenes
What would a fight involving the Turbo Hero look like?" "Some sort of hot pursuit?" He's got to run down and tackle a villain who's running away..." "Oh, so it's like Eye shield 21!" That's the train of thought that led to this man-bat. Devil Bats!
-Furuhashi
I wavered between sticking more closely to
the inspiration or getting away from that. I
sort of lost track and wound up moving away
from it in the end (LOL). In hindsight, I
subconsciously took inspiration from [
redacted] with the whole bat design...!
-Betten
See page 202 for more on Ingenium
Bigshot/Enigma/Onemu Shinya
Badge on arms
Onemu Shinya
Bigshot
Costume modified to Team Idaten style
Cape Gloves Mark on chest Boots
40%
Enigma
The Rough Design
Behind the Scenes These three heroes came from designs submitted by fans. The suggestion was to make them members of Ingenium's agency (in chapter 7), but Enigma's gimmick was good enough to warrant a chapter of her own, so her debut was delayed a bit.
In the original submission, Enigma's real face was charmingly different, so then the question was whether to make her look nothing like the yet-to- be-identified villain, or to have her identity be really obvious. I went with the latter option and kept the face exactly the same. I also fine-tuned her to make her easier to utilize in the story, so please forgive me…
-Furuhashi
The one I chose was Onemu Shinya. I think what drew me to her was that her design isn't the sort I'd naturally come up with on my own. I had trouble drawing her, actually. With the other two, I tried to emphasize what was already appealing about the original designs… -Betten
Middle Schooler Koichi & School Uniform Pop
The Rough Design
Koichi in middle school
Pop in uniform
Black sweater, collar is white
Skirt on the long side
white socks
Behind the Scenes
We apparently didn't have a design for young Pop, so instead this is a two-for-one with current Pop in uniform. She and Koichi are depicted here at about the same age.
The tale of Pop and Koichi's first encounter was decided on a bit after serialization began, so if you go back and read chapters 1 and 2, you'll see that she's already head over heels for him. In this chapter, we learn that she wants to say "Thank you" someday, so that's basically her long-standing desire, going forward. Good luck!
-Furuhashi
I love Koichi's lame haircut, which looks like it was done by the neighborhood barber or even his mom. I remember dwelling on Pop's dialogue near the end of chapter 2 so seeing how it comes full circle in chapter 8 makes me say "Well done, Furuhashi... Well done..."
-Betten
Rock Villian/Akira Iwako
The Rough Design
- Moves more like a beast (gorilla-like)
- More crystal protrusions
Behind the Scenes
This cookie-cutter villain first appeared in chapter 3 of the last volume.
He follows the pattern of being used as a guinea pig by the "organization" before getting taken down.
That data gathered from the junkie villain in chapter 6 is what allowed for this guy's enhanced second appearance... The components of Trigger that affect
the brain have been strengthened, leading to more
violent mental transformations and boosted abilities.
-Furuhashi
He was already enough of a pain to draw in chapter 3, and it only got worse this time around, given his
power-up and the standoff with Stendhal. A pitiable
character, really.
-Betten
Kuin Hachisuka
The Rough Design
Real Name: Unknown
Birthday: Unknown
Height: 162cm
Favorite Thing: Honey Toast
Quirk: Queen bee
pin badges
pin designs
Behind the Scenes
Basically, the villain lieutenant character. She's not a straightforward fighter-the goal was to show that she's a threat through her personality and demeanor. On the visual side, I told Betten, "Make her a modern-day girl!" (I've got no sense for that myself so I just lobbed that one at him.
As a result, we've got a troublemaker
who's cute and competent, but also
sort of apathetic. Still, she's handy for advancing the villainous plot little by little. You can count on her for that.
-Furuhashi
She was wearing something like a hoodie in the rough storyboards Furuhashi sent me, but I changed it to a varsity jacket so as not to overlap too much with Koichi. She's the easiest in this series for me to draw, since she totally matches my style. Before I knew it, I'd started drawing Hachisuka in Yokosuka jackets... I scare myself sometimes!
-Betten
Spike Villian
The Rough Design
Soga maybe more beast-like…
Behind the Scenes
This guy's spikes give him the hedgehog's dilemma.
Out of the three friends, he's actually the most serious, the most complicated, the most prone to snap... That was the personality I came up with.
-Furuhashi
Very different design than what we wound up
with (LOL). I must've gone through some trial
and error, trying to make him look more like an actual porcupine. I like Soga, but it's hard to draw him in a convincing way
-Betten
See page 204 for more on the three delinquents
Stendhal
The Rough Design
Long japanese katana
The image was less “hair tied up” and more “samurai-style topknot.”
His hair comes undone when he gets his mask broken by master, which helps support the idea that whatever was containing him has come loose.
sword guard
knife x6
Real Name: Unknown
Birthday: Unknown
Height: Unknown
Favorite Thing: Unknown
Quirk: Bloodcurdle
Behind the Scenes
Here we go. This is Stai-I mean, Stendhal.
Like our trio of protagonists, he walks the fine l ine between hero and vigilante, which made him a must-have representative in a story about vigilantism.
Master and Stendhal show us the difference between justice and madness. Well, Master overdoes it sometimes too, but he always manages not to cross that line, barely…
-Furuhashi
Still haven't thrown out a lot of ideas-I'm obsessed with this design. I had samurai and ninja in mind when portraying his movements and action scenes. Beyond that, it wasn't trial and error so much as turning him into a pragmatic warrior. Lots of lines involved-a pain to draw (LOL).
-Betten
Ingenium
When jogging
Shirt is white
Line 20%
Side line 20%
40%
Same brand of clothing that Tenya wore to entrance exam
Ingenium equipped for high-speed battle
Airbags installed here
Ingenium’s normal costume
Armor around legs is simpler than Tenya’s
Basic gear
40%
Quirk is Engine, same as Tenya
(Fundamentally works the same way)
okay to think of it that way?
Exhaust ports on arms
Real Name: Tensei Ida
Birthday: 7/22
Height: 183cm
Favorite Thing: Sports, Hayashi Rice
Quirk: Engine
The Rough Design
Behind the Scenes
Everyone's beloved Big Bro Inge. Ingenium. Tensei Ida. He makes an appearance in this series as the ideal pro hero.
Because of the whole "distinction between pro heroes and vigilantes" thing, we had to have him lose the runaway villain down the back alleys
but if we ever get the chance, l'd love
to portray him and his team in a full-on battle.
-Furuhashi
When doing the rough designs, I overlooked his portrayal in volume 7 of My Hero Academia and consequently got the interpretation of the area around his elbows wrong. The design overall is arranged in a distinctly Vigilantes style... It was fun to imagine his sportswear as being part of a line of clothing put out by the Ida family itself.
-Betten
Soga Kugizaki/Moyuru Tochi/Raputo Tokage
The Rough Design
hoodlums A
thinking of something like this for now -Betten
B the down vest and knit cap are so that his body temperature doesn’t fall too much
Winter clothes…for example
3 Fire here is always burning
skin is dark
Behind the Scenes
In keeping with the trope of "the punks who serve as the first opponents in a battle manga and become allies," there was internal talk of having these three show up again, but their reappearance was delayed when Samazu and Namimaru became series regulars.
It doesn't look like they'll ever be allies at this point but rather those guys who came this c lose to being villains, which fits the theme of Vigilantes. In that sense, they serve an important role. - Furuhashi
I fell in love with them during their second appearance. I need to practice drawing them
better!
-Betten
The Three Pervy Brothers
The Rough Design
The Three Pervy Brothers
rear view
Behind the Scenes
These villains, who rationalize their selfish desires, paired with Koichi, who can't help but ask, make their scenes important to the themes of Vigilantes so we might bring them back someday. They don't seem like the types to reflect on their actions much.
-Furuhashi
All three had the same body type in Furuhashi-san's rough storyboard, but I made the third one on the chubby side to make it even worse when he wears panties ( LOL ) . Incidentally , # 2 must have some serious skills to pull off what he does! So I see them as representing mind, technique and body respectively (that's just my personal interpretation).
-Betten
Afterword
Hi there. I'm the story writer, Furuhashi.
Vigilantes is a series that's riding on the coattails of the original My Hero Academia, so a constant part of planning it out is wondering how to make it align with MHA and how to have it diverge.
Before starting, some of the broad directives were to avoid things that would impact the main series' plot and to not introduce any villains stronger than those in the original MHA. But as we got going, I found myself being allowed to incorporate most of the ideas I came up with, as long as they weren't out- and-out violations (it's been really fun).
...So, I plan to continue using threads from the main series, especially elements that'll make readers go, "Eh? Can they really do that?" Basically, I'll keep exercising the freedom I've been given. Thanks to everyone for your continued support.
August 2017
Message from Horikoshi
Congratulations on the release of volume 2!!
Kohei Horikoshi